Peninsula Daily News and The Associated Press
Tony Curtis, the celebrity guest at the first Port Townsend Film Festival in 2000, died Wednesday night.
“Any movie made was meant to be made,” he told a packed house of nearly 500 at the Port Townsend Community Center on Sept. 23, 2000, to keynote the first installment of what has become a Port Townsend tradition.
“There is no advice I can give anybody about the movies. It’s like winning the lottery, it’s impossible.
“It’s an elusive profession.”
The 85-year-old actor suffered cardiac arrest at his home in Henderson, Nev., near Las Vegas, the coroner said Thursday.
He overcame early typecasting as a lightweight pretty boy to become a serious actor in such films as “Sweet Smell of Success,” “Spartacus” and “The Defiant Ones,” the latter earning him an Academy Award nomination.
He resisted obsolescence, continually reshaping himself and taking lesser roles to find steady work in a business that prizes youth. He subdued alcohol and drug addictions, lived through six marriages and five divorces, and found peace with a new art as a painter.
Curtis, whose wildly undefinable cast of characters ranged from a Roman slave leading the rebellious cry of “I’m Spartacus” to a jazz age musician wooing Marilyn Monroe while disguised as a woman in “Some Like It Hot,” died Wednesday night.
“My father leaves behind a legacy of great performances in movies and in his paintings and assemblages,” Jamie Lee Curtis — his daughter with first wife, Janet Leigh, co-star of “Psycho” — said in a statement. “He leaves behind children and their families who loved him and respected him and a wife and in-laws who were devoted to him. He also leaves behind fans all over the world.”
Starting his career in the late 1940s and early 1950s with bit parts as a juvenile delinquent or in such forgettable movies as the talking-mule comedy “Francis,” Curtis rose to stardom as a swashbuckling heartthrob, mixing in somewhat heftier work such as the boxing drama “Flesh and Fury” and the title role in the film biography “Houdini.”
Hindered early on by a Bronx accent that drew laughs in Westerns and other period adventures, Curtis smoothed out his rough edges and silenced detractors with 1957’s “Sweet Smell of Success,” in which he played a sleazy press agent who becomes the fawning pawn of a ruthless newspaper columnist (Burt Lancaster).
“Curtis grew up into an actor and gave the best performance of his career,” critic Pauline Kael wrote in her book “Kiss Kiss Bang Bang.”
Yet it was sheer stardom, not critical acclaim, that drove Curtis, said his sixth wife, Jill Curtis.
“All Tony ever wanted to be was a movie star. He didn’t want to be the most dramatic actor,” Jill Curtis said. “He wanted to be a movie star, ever since he was a little kid.”
A year after “Sweet Smell of Success,” Curtis was nominated for a best-actor Oscar in “The Defiant Ones” as a white escaped prisoner forced to set aside his racism to work with the black inmate (Sidney Poitier) to whom he is handcuffed.
“He’s one of those actors who in the ’50s was a beautiful, charismatic leading man, who became sort of iconic as a sex symbol. Not somebody who you originally thought had a lot of depth. He was just charming and funny and yet he revealed himself to be quite complex and gave some great performances,” said actor and director Tony Goldwyn, son of film producer Samuel Goldwyn Jr.
In 1959, Curtis teamed with Monroe and Jack Lemmon for a screwball landmark, Billy Wilder’s “Some Like It Hot,” which ranks No. 1 on the American Film Institute’s list of 100 best U.S. comedies.
Curtis and Lemmon starred as 1920s musicians who disguise themselves as women in an all-girl band to hide out from mobsters after they witness the St. Valentine’s Day Massacre.
It was a masterful comic performance by Curtis, whose character pursues the band’s singer (Monroe) both in drag and in another charade as a Shell Oil heir who talks like Cary Grant, with whom Curtis co-starred later that year in the Navy farce “Operation Petticoat.”
In Stanley Kubrick’s “Spartacus,” Curtis played star Kirk Douglas’ loyal follower, leading a chorus of captured slaves shouting “I’m Spartacus!” to confound Roman oppressors seeking the ringleader of a rebellion.
His other credits included “Captain Newman, M.D.,” “The Vikings,” “Kings Go Forth,” “Sex and the Single Girl” and “The Boston Strangler.” He also did a wryly self-deprecating cartoon gig, providing the voice of his prehistoric lookalike, Stony Curtis, in a television episode of “The Flintstones.”
“The guy was such a sweetheart. Beautifully neurotic, in a very endearing kind of Woody Allen way,” said Sam Rockwell, who co-starred with Curtis in the 1998 movie “Louis and Frank.”
Curtis and Lemmon collaborated again on 1965’s “The Great Race.” And more than 40 years after “Some Like It Hot,” Curtis co-starred in a stage version, playing the role originated by Joe E. Brown in the film as a millionaire smitten by Lemmon’s female alter-ego.
To mark his 80th birthday in 2005, Curtis posed nude in Vanity Fair alongside his dogs, Josephine and Daphne, named after his and Lemmon’s “Some Like It Hot” characters.
By then, his shiny-black hair had turned silver, he had long since kicked booze and drugs, and painting his Matisse-like still-lifes filled much of the creative space left as his acting career waned.
In a 2002 interview with The Associated Press, Curtis talked candidly about where his life was in his 50s, when he was relegated to television work and such movies as “The Bad News Bears Go to Japan” or the cheesy sex comedy “Some Like It Cool.”
“I wasn’t happy with my marriages. I wasn’t happy with the films I was getting. The next thing I know, I’m using cocaine and alcohol. And the next thing I know, I’m immersed in it,” Curtis said.
He checked into the Betty Ford Center and got himself clean and sober in the early 1980s, then spent time in Hawaii, where he sought solitude and painted.
Though he acted in small parts fairly regularly through the 1990s and took occasional roles over the last decade, Curtis continued to enjoy life away from Hollywood in Las Vegas, where he lived with his sixth wife, the former Jill VandenBerg, whom he married in 1998.
“Jilly and I, we don’t need a lot of people around,” Curtis said in the 2002 AP interview. “We get dressed for dinner, go down on the Strip, beautiful hotels. We see a show, we go dancing. During the day, I swim and I paint. I can’t imagine living anywhere else anymore.”
Curtis had six children from his marriages. He was estranged for a long period from daughter Jamie Lee Curtis, whose credits include “Perfect,” “Halloween,” “True Lies” and last week’s comedy release “You Again.”
He and his daughter eventually reconciled, and Curtis took great pride in her Hollywood success.
Curtis had married her mother, Janet Leigh, in 1951, when both were rising young stars. They divorced in 1963.
“Tony and I had a wonderful time together. It was an exciting, glamorous period in Hollywood,” Leigh, who died in 2004, once said. “A lot of great things happened — most of all, two beautiful children.”
Curtis was born Bernard Schwartz in the Bronx in 1925, the son of Hungarian Jews who had emigrated to the United States after World War I. His father, Manny Schwartz, had yearned to be an actor, but work was hard to find with his heavy accent. He settled for tailoring jobs, moving the family repeatedly as he sought work.
“I was always the new kid on the block, so I got beat up by the other kids,” Curtis recalled in 1959. “I had to figure a way to avoid getting my nose broken. So I became the crazy new kid on the block.”
He suffered tragedy at age 12 when his younger brother was killed in a traffic accident. Finding refuge in movies, he would skip school to catch matinees starring Errol Flynn, Clark Gable, Gary Cooper and other screen idols.
After serving on a submarine during World War II, he enrolled in drama school on the G.I. Bill and was doing theater work when an agent lined up an audition with Universal, where he signed a seven-year contract starting at $100 a week at age 23.
The studio gave him a new name: Anthony Curtis, taken from his favorite novel, “Anthony Adverse,” and the Anglicized name of a favorite uncle. He later shortened it to Tony Curtis.
As his big-screen star faded in the 1960s, Curtis remolded himself as a character actor and turned to television with the 1970s action series “The Persuaders,” co-starring Roger Moore, and a recurring role on the crime drama “Vegas.”
Curtis earned an Emmy nomination in 1980 as producer David O. Selznick in the “Gone With the Wind” chronicle “The Scarlett O’Hara War.”
He also turned to writing with a 1977 novel, “Kid Cody and Julie Sparrow” and 1993’s “Tony Curtis: The Autobiography.”
Curtis remained vigorous following heart bypass surgery in 1994, although his health declined in recent years.
Jill Curtis said her husband had been hospitalized several times in recent weeks for lung problems she blamed on smoking 30 years ago. He recently returned home, where he died in his sleep, she said.
Longtime friend and casino executive Gene Kilroy said memorial services would be held Monday in Las Vegas, with a reception at the Luxor hotel-casino on the Las Vegas Strip.
Through his ups and downs, Curtis maintained a brash optimism.
“One thing Tony always said: ‘God is great. He won’t hurt us, ’cause he looks like Tony Curtis,”‘ said wife Jill Curtis. “I guess now he knows how he looks.”
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Associated Press writers Bob Thomas in Los Angeles, Ken Ritter and Oskar Garcia in Las Vegas, AP entertainment editor Michael Weinfeld in Washington, and AP video producer Nicole Evatt in New York contributed to this report, as well as Peninsula Daily News archives.