Language of soul: Black Mambazo returns to Port Angeles
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Shane Doyle
Joseph Shabalala, foreground, and his ensemble Ladysmith Black Mambazo arrive Tuesday for a concert at the Port Angeles High School Performing Arts Center.

By Diane Urbani de la Paz
Peninsula Daily News

PORT ANGELES — Now in its 20th year, the Juan de Fuca Festival is adopting a broader moniker, the Juan de Fuca Foundation for the Arts, to highlight its year-round activities.

The 20th annual Juan de Fuca Festival of the Arts will bring to central Port Angeles venues more than 40 acts, from the local to the internationally known, over Memorial Day weekend May 24-27.

But there's a lot more going on, said Dan Maguire, the executive director who has expanded the event lineup.

Frequent concerts

The the Season Concerts are feathers in the nonprofit foundation's cap: Just about every month, Maguire books a touring act for a concert in Port Angeles. In February it was the Eugene Ballet and its tribute to the Beatles titled “All You Need Is Love” at the Port Angeles High School Performing Arts Center.

This month — Tuesday night — it's Ladysmith Black Mambazo, the nine-man a cappella ensemble from South Africa.

The Juan de Fuca Foundation will continue a longtime emphasis on making the arts available to young people, Maguire said.

The Juan de Fuca Education arm brings Seattle's Book-It Theatre to Clallam County, where elementary school children get to see performances of literary works, for example. Other groups such as the Eugene Ballet come to offer master classes before and during the Juan de Fuca Festival in May, and in the summer the week-long Discovery Arts Camps are open to children age 5 to 10.

To start the Juan de Fuca Festival itself, the foundation presents three Youth Day concerts for more than 3,000 local children at its main stage, the Vern Burton Community Center in Port Angeles. And throughout the four-day festival, the Children's Art Show fills the Vern Burton atrium.

Festival tickets

Tickets are on sale now at a discounted price for the 20th annual Juan de Fuca Festival, Maguire noted.

Full festival passes are available for $50 for adults and teens; once the events begin May 24 the passes will go to $60. Single-day tickets will also be available as always.

To see the festival lineup of acts, purchase tickets and learn more about other Juan de Fuca Foundation activities, visit www.JFFA.org, find the foundation's Facebook page or phone the office at 360-457-5411.

Peninsula Daily News
PORT ANGELES — The white tennis shoes are key.

They allow the men's feet to be seen, not heard, as they dance across states, countries and continents — and straight into the heart of the listener.

Ladysmith Black Mambazo, the South African a cappella ensemble, has performed to sold-out crowds at Carnegie Hall, given concerts for Queen Elizabeth II, the late Pope John Paul II and for Nelson Mandela when he received the Nobel Peace Prize.

The group also has sung here, most recently in 2008, when Mambazo drew some 1,100 fans to the Port Angeles High School Performing Arts Center.

On the heels of their new CD, “Songs from a Zulu Farm,” the nine men of Mambazo are on tour and returning to Port Angeles for a Juan de Fuca Foundation for the Arts presentation Tuesday night. The group will take the stage of the Port Angeles High auditorium, 304 E. Park Ave., at 7:30 p.m.

Tickets range from $25 for general admission to $30 for reserved seating for adults, while tickets for youth 12 and younger are $17 for general seating and $20 for reserved. Outlets include the Juan de Fuca website, www.JFFA.org, Port Book and News, 104 E. First St., Port Angeles, and Pacific Mist Books, 121 W. Washington St., Sequim.

Joseph Shabalala formed Mambazo some five decades ago, and invited his cousin Albert Mazibuko to go traveling with him, spreading the music of their native South Africa.

Big names

The group has since crisscrossed the world, recording with Paul Simon, whose “Graceland” album in 1986 brought Mambazo to fame, and performing with pop artists from ­Stevie Wonder to Emmylou Harris.

Today, Mambazo includes younger members of the Shabalala family: Thami, Thulani, Sibon and Msizi.

The men range in age from their 20s to Joseph's 72, said Mazibuko, the group's spokesman.

“The younger guys are going to carry it forward,” he added.

Mazibuko gave one of his countless interviews last Saturday soon after arriving in Scottsdale, Ariz., for a show at the Performing Arts Center there. Mambazo had just come down from Canada, where the singers gave concerts in St. Catharine's, Ontario, and five other cities in the province.

“I love touring. Being on tour makes life exciting,” Mazibuko, 64, said. “You don't know what's going to happen . . . and it lets me escape the duties I have at home,” he joked.

Mazibuko lives in South Africa, in a city about two hours from the farming community where he grew up. He learned to sing from his grandmother, who told him stories and sang him songs to help him fall asleep at night.

Now, Mazibuko is helping to raise his own grandson. The little boy is a dancer, of course.

Traditional blend

On Mambazo's current eight-week tour, the group offers its traditional blend of songs in Zulu and English: songs that sound like prayer, like gospel and like South Africa.

This time, Mazibuko adds, “we tell more stories about our songs. I love the way we chose the songs. They are about our struggle,” out of apartheid and toward freedom.

“We are celebrating, every night, our achievement in South Africa.”

Songs such as “Homeless” and “Hello My Baby” may mix with “Zulu Laduma” (Voices Like Thunder), “Ixegezi” (Catch the Bird) and “Vuka” (Wake Up Little Chicks) from the “Zulu Farm” album.

In a Mambazo concert, “it's not necessary to understand the lyrics,” Mazibuko has said. “Just listen to the feeling, the feeling you get in the music. The music is something for the soul. It has its own language.”

Invitation

He extended an invitation to Tuesday's concert:

“Nine guys will line up, with white shoes and colorful shirts,” he said, “and beautiful voices.” They will sing, step and extend their hands, and then teach the audience how to greet one another in Zulu.

“There will be vibrant dancing,” Mazibuko promised. “When you leave, you will feel different. If you come cold, you will be warm. If you come depressed, you will leave uplifted.”

Last modified: March 07. 2013 5:54PM
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